Archive for the ‘Acting’ Category

The dilemma of self-promotion

Saturday, October 3rd, 2009

Tonight, after posting the participant’s review of my workshop this morning, I see that there are no comments on the blog post and no “Likes” or comments on the Facebook post. My first thought is “people thought it was obnoxious.” Self-promotion can be a damned-if-you-do, damned-if-you-don’t proposition. You want to win people over, but you risk turning them off in the process. I don’t know if I ever strike the right balance when it comes to talking about my accomplishments or promoting my work. Lately, I fear that some of my status updates have been boldface brags; e.g., “New blog post: Rave Review for my Vague Language Workshop http://bit.ly/zWrno” (tweet), “I’m happy that 24 people came to my workshop in Phoenix, five of them all the way from Yuma and four of them all the way from Tucson.” (tweet), and “New blog post: Speak & Spell II a Successful Workshop http://bit.ly/171bC9″ (tweet), especially the fact that I shared my teacher evaluation scores. Ugh.

What may or may not be apparent is that I have felt shame and failure in my life, and there have been a few times I doubted I’d ever achieve anything. When I do manage to do something good, my feelings of past failure and inefficacy drive me to shout my achievements from the rooftops. “See! I’m not a complete failure! I DID something!”

Perhaps it is the fact that there have been so many times in my life when I have felt paralyzed into inaction. I’ve wanted to do many things that I didn’t do because I didn’t believe in myself. Now, when I finally do things that I’ve only been dreaming of doing for years, I feel… well… vindicated! Especially when other people didn’t believe in me, either. It’s like, “How do you like me now?!” Well, maybe not very much, I fear.

What good does it do to shove my success in the faces of people who doubted me? Are they really going to “like me now”? Or are they just going to resent me for rubbing it in their faces that I succeeded in spite of them? My fear is that they are going to resent me as much as I resent them. Resentment begets resentment. The thing to do is forgive everyone for everything, starting with myself.

Will I ever be good enough so that I can stop proving myself to people? Will it ever be enough just to be? Well, sure, but I’d still want to do something. There’s a time to be and a time to do. Maybe if I can master being, then I can be better with doing. Right now, doing is like, “Wow!” A miracle!” (Though, I wonder if that will ever change, for what are being and doing but miracles?)

Another consideration is there may be others who have done what I’ve done and not had the same level of success. Am I hurting them by touting my success? That is not my intention, but I fear it may be a consequence. Then again, there’s that whole thing about, “Who are you not to be brilliant, gorgeous, talented, and fabulous?” I would like to think that when I let my own light shine, I give other people permission to do the same (re: Marianne Williamson’s book A Return to Love).

My best intentions, when I get past the neurotic ego stuff, are to promote the work for the good of others. The workshops I’m doing are designed to help interpreters become better at serving their clients and taking care of themselves. I would like to believe that the work is worth people’s time, and so I promote it so that people can benefit from it. And the truth is that I want to teach, and I can’t teach without students.

An actor cannot perform without an audience. The same is true of any artist or creator of any kind. We create what we do because of our creative impulse. There is nothing to be ashamed of about the creative impulse, and there is nothing wrong with admitting that I am a performer who needs an audience. Yes, I need to say something, and yes, I need you to listen. The tricky part is how to charm you into granting me an audience and then entertain you so you feel it was worth your time.

The best self-promotion is really not self-promotion; it is promotion of one’s work. It is a plea to “let me entertain you” so we can all “have a real good time” (to quote Sondheim). I may be ashamed of the way my ego gets in the way, but I’m working on seeing the greater good beyond myself. In my future promotions, I will be cognizant of the issues I’ve raised here and try to make my statements the kind that promote my work without building myself up or tearing anybody down.

Me Singing “Lucky To Be Me”

Friday, May 8th, 2009

Sums up how I feel about meeting my life partner, Andy, almost five years before the day I recorded this. From the Broadway musical On The Town, music by Leonard Bernstein, lyrics by Betty Comden & Adolph Green.

I posted this almost a year ago on our family blog via Flickr (no closed-captions), and at the time, I was critical of my own performance. Now, I just enjoy it. I hope you do, too.

Interpreted my first Shakespeare play!

Monday, April 20th, 2009

A lot has happened since I last wrote a blog post, but this post is about how I interpreted my first Shakespeare play.

I had been preparing to interpret The Merchant of Venice for the Southwest Shakespeare Company at the Mesa Arts Center since early March, but after I presented my workshop at the Arizona RID State Conference at the end of March, I got to work on Merchant in ernest.

My co-interpreter, Sandra Solomon, who had already interpreted four shows for SW Shakespeare Co., met with me several times to rehearse interpreting the show. We corresponded with Missy Keast, our ASL Producer, via e-mail and met with her over videoconference to show her some of our interpreting and get her feedback, which was very beneficial. (Sandra came to my house and we sat together in front of my iMac with built-in iSight camera and used iChat to connect to Missy in Hawaii, since she also has a Mac with built in iSight and iChat. I only wish we’d been able to do this more than once.)

In addition to meeting a few times at each other’s homes to discuss the play and rehearse, Sandra and I interpreted four performances of the show at the Mesa Arts Center before actually interpreting it for an ASL audience on Saturday, April 18 at 2 PM. There were about a dozen people who came to the show specifically to see us, so that was a good turnout. I only wish there had been deaf people in the audience, but as much as I got the word out, there were none.

How did I get the word out, you ask? Well, in quite a few ways: Sandra & I each brought fliers to our respective workplaces at Sorenson VRS and Purple Communications. We also left them on the Arizona RID table at the Arizona RID Conference. I gave a stack of fliers to Robin Dragoo, the president of Arizona RID, and he put them on the Arizona RID table at the DeafNation Expo at the Phoenix Convention Center. In addition to that, I created an event on Facebook to publicize the interpreted performance and invite all the deaf people I know who live locally and are on Facebook, but alas, none of those people came. Still, about a dozen people came to see us perform our interpretations, and several of them were ASL interpreters who will no doubt benefit from our work and use it to inform their own theatrical interpreting, which will in turn benefit other audiences.

I strongly believe there is a positive ripple effect in this that is a good thing for the community as a whole– for the hearing world to see that SW Shakespeare offers interpreted performances, for local deaf people to see that it was available (and maybe they’ll come another time?), and for local interpreters to add to their professional development by interpreting (in our case) or watching (in the case of our colleagues) an ASL-interpreted Shakespeare play.

I know, for myself, that interpreting Shakespeare forced me to work on conveying meaning while dropping form. Let’s just say that I am proud of all the words I didn’t sign. It was a pleasure to be able to convey Shakespeare’s language in a way that was understandable yet retained a touch of his creative spark.